The white hegemonic structures killing Black people in the U.S. are the same structures allowing Israel to annex Palestine. From this standpoint, it becomes imperative that we engage in a more nuanced and dynamic form of solidarity, else we would be, in our struggle for justice, still perpetrating the structures we are fighting against…
During my time in London, one of my students asked about my upbringing; as we munched on butter biscuits by the playground, stale crumbs dusting our laps, I told her about my country. “The Philippines?” she frowned. “Is that in China?”
Scenes of Abu Dhabi, UAE during the current COVID-19 pandemic.
Levitt’s child subjects become a conduit for the adult viewer’s own imagination, we ask ourselves: do they see everlasting soap bubbles, a coded message, or tiny portals into other worlds?
Before arriving in New York in that snow-full January, I had never really reconciled the “hyphens” of my own existence – born as an Indian citizen, I grew up entirely in the southern African capital of Botswana, eventually moving to Abu Dhabi for university at the age of 18. I knew I had grown up and formed a slow identity while straddling more than one culture, both of which I had not really learnt to accept or love, but just sit in, perplexed into a discomfiting stasis between them. Going to America has burst that still yolk of a bubble…
“My habitats are people,” shares Joburg-based indie singer Moonga K. “People I have deep, meaningful friendships with. People and spaces where I don’t feel alone. People I’ve lodged in my heart and mind indefinitely.”
“Even now, in an era of checking your privilege, our country’s anti-aristocracy history makes people uncomfortable with their own inherited wealth and status. They are uncomfortable enough that they create these working class origin stories, but they are not uncomfortable enough, in most cases, to fight the system of inequality…”